It's a piece featuring Vincent Van Gogh and Toulouse Lautrec.
The main reason for revisiting this piece is that the original painted version was damaged by a colored liquid of some sort.
The secondary reason is to continue my inking development.
So this was the original line art for the painted version...
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBYN20y6VWyKfvNjOqyrCosMm5N2biHyW84Q0utZJnSWqKumEHnxoi3j0ptZlxbT3Mag8l6RQoowFKMdfh-xEsdKyxiGImZXMYWaApuIbwfKOPocSkHzF4PD46k-bwmFe5z_gnFA/s320/HenryVincentline.jpg)
It was never intended to be final art.
In order to do an inked drawing from it I reduced the size to fit on an 8.5 by 11 piece of bristol paper. Then I reduced the opacity of the art to 10%...
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFMg0uFQnRolo6SBNUgh8uc4LOqJlhBIyYo-EDOSyEMargDR9r_QWMRLMrsF_AcDyI9Vs_DbqwjoxNiyPdGWm-FQ9mJzo6zfrnTW3_9lrwaXrW9Wb7xXasGwrQt1zmHBKWZCwkGw/s320/HenryVincentcrop.jpg)
and printed it out on the bristol paper.
The result is that I had a basic outline to start with that wouldn't get in my way if I wanted to alter anything. And I did change a couple of things here and there.
The first pass at inking came out looking like this...
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5A7XhHSiZZ_4_PEp5QPeW3mLSfqQaeYUJkyzNy_3Nv5pe71GJ-QN6kV3Q2flgMyBf18J66ZV7OYUkMGJuDLK26whrm38v91fb4cyvR68ntZPmfsCfi4_yF8g9sJLJX7F_d9-cEw/s320/HenryVincent1.jpg)
I like to scan the art in stages so I can see it on my screen and save the art. That way if I do something to it later that I don't like, I can print out the saved version and start again without completely starting over.
I looked it over and decided that I needed to do something about the lady on right. She was much to white, which made her the center of attention.
I also decided that the dog on the bottom left ,the flower pot, the two guys faces, and the background needed more work.
This is the result...
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjePT4Tk3-GJhdz1X98YGX-vqRrYEO7jeywZ4S2spcjxmPKwiqfeqx3IsTaQER9JHAFyczo8RFyY_njvvHET8e-dlrbybS3e_naTOa-6CCW8UlaXRUKbov2Q72Px18k924tocwGNQ/s320/HenryVincent2.jpg)
I scanned it and looked it over.
I felt that the background , some of the painting of the lady, and Van Gogh's hat needed to get darker.
This is the result...
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8rZ9_H54YYtlpQPwRXZqplAScvgis8TZEcJ05Hk-agEtYekF3gij6Pmr7DBSRG7-b4nQtgGkqpKymBZoaAGWwnXnGuYIRjP55KDv3NpeHKz6_5m4f7j8CvZq2wFWapFmBkcHL8w/s320/HenryVincent3.jpg)
I also thickened the border to hold it all in.
Overall I'd say it's a successful drawing.
Here's a close up...
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFY67FKZki4n-CSITEPeU1BfOnm1y0tr-aGZzmpuIOrnOuVv6FyhDrVcgpz_-cMEETPAECt-XDfiUTyoqzOqgLXCMySrjbuJK91Mp_VK7hhQlK28SAA1JL_EC4EDd2Yf_S1OSn7A/s320/HenrVincentinkcrop.jpg)
I'll do more like this for the portfolio.
Materials...
Cheap bristol paper.
Faber Castell Pitt artist pens - XS and S.
I liked the way the ink from the pen soaked into the paper quickly and didn't smear or bleed.
If I had to cover large areas in solid black it would be a problem like when I used it with the brush. I would most likely fill in the big areas in photoshop to get a solid black and save ink.
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